NetWorx 7.1.4 instal the last version for ios

Up to 100ms delay for calibration purposes, with one decimal place accuracy available Level trim from –60dB to +16dB, with one decimal place accuracy available

Main speaker volume level available via front panel encoderĪll 16 available monitoring channels support the following:Ĩ-band parametric EQ with cut and shelf filters for the low and high bands Monitor controller functionality for improved mixing workflowĬolour-coded speaker selection with mute, solo and metering functionality Wide compatibility, both setup and format wiseĪny combination of the interface's Dante, MADI, HDX, ADAT, SPDIF and analog I/O is availableĢ3 formats with path order selection readily available, including 2.1, 5.1, 7.1 surround sound and 5.1.2, 7.1.4, 9.1.6 Dolby Atmos, to name a fewĪny remaining audio format and speaker configuration is also possible up to the 16-channel limit Option 5 - Antelope Audio Galaxy 32 Synergy CoreĪntelope Audio’s flagship interface, Galaxy 32 Synergy Core, now comes Atmos-ready with surround and immersive audio monitoring control with built-in speaker calibration as well. You can learn more about it in our article Using Metric Halo Interfaces To Create A Low Cost Dolby Atmos Monitor Controller. This also let him rack the LIO-8 away from his mix position and use only the Dock and the MIO software to control the B-chain in his LIO-8. Even though, Eucon support in the MIO is not as deep as it is on the MTRX with DADman, but the basic functions he needed are there. Mike showed Nathaniel how to set up a monitor controller that bypassed the mixer, which enabled me to get all 12 channels with a mute control for each speaker.īecause the MIO software is Eucon-ised, it meant that the Monitor knob on his Pro Tools Dock could control his monitor level and mute for the room. Mike Crehore stepped in again because Nathaniel found that the Metric Halo software “MIO,” doesn’t support 7.1.4 paths in the mixer (and neither does Pro Tools, but that’s another story). Each ‘Band Split’ module in the block diagram above is set to 80Hz.

Being accustomed to an 80Hz crossover in his 5.1 system, he carried that over to his 7.1.4 system. Because this is happening after Pro Tools sends the audio to the LIO-8, it’s a B-chain function that has no impact on the mixes and stems Nathaniel can print in Pro Tools and/or the Atmos Renderer.

NetWorx 7.1.4 instal the last version for ios